By Alex Popp
The second studio album from American Country Singer Chris Young.
The first track, "That Makes Me", tells us that this guy is natural in terms of country. It asserts "I don't swear in front of no woman," even though the song uses h---. Oh no, what if a woman is listening to the song? Although, he does claim "I answer yes, sir to my old man." Okay, that's good. But still, the very next line is "I drink my liquor with a side of nothin'." These things don't make a very good him. However...
Whatever he does, he hears "Voices." These include his father encouraging him to work hard and his mother telling him to give money to church and say a prayer every night. Even when he disagrees with these wishes, he always respects them ("Sometimes I try to ignore 'em/But I thank God for 'em/'Cause they made me who I am").
On "The Dashboard," before a brother goes off to war, he tells Chris to take care of his Ford. He says that it will be his if he doesn't return. But when he does, he gives it to him anyway. The song's okay, but has a suggestive line in the chorus: "It's seen a lot of tan legs, got a kick-a-- radio."
In "Gettin' You Home" the singer says that he doesn't care about an evening dance because the only thing on his mind is going home with her afterwards for a night of sex. This song would be better if he was talking to his wife.
Sexual immorality also creates a problem on "It Takes a Man," which is about an unexpected pregnancy that was his fault.
He comes across "The Shoebox" that he packed with memories that he cherishes. For the first time since he died, he opens the pocketknife that was given to him from his grandfather. This is a really good song. In fact, my dad said it was one that he'd have bought the whole CD for.
In the 80s song, "Rose in Paradise," (here a duet with Willie Nelson) a banker leaves town hiring a man to tend to his girlfriend. When he comes back, they were both gone, apparently married, and the banker grows old without her.
"Twenty-One Candles" is about two parents trying to calm their over-confident eighteen-year-old who is on the verge of moving out.
"God, I want to be Your man and I want to be her man." Regretting selfish love that not only doomed a romance but made him a wretch as he says, he turns to God
for a second chance and prays that He'd change him into "The Man I Want To Be."-a great song!
The album concludes with a special rendition of the 60s classic "Rainy Night In Georgia."
Chris Young seems to be of everyday country music; mostly upbeat, but bushwhacked by some unfortunate alcohol and sex abuse and occasional mild profanities. I bought the CD for the title track. That song means a lot to me because I heard it after I gave my life to God praying that he'd change me into "The Man I Want To Be." This song definitely makes up for the previous miscues. "Voices," "The Shoebox," and "Rainy Night in Georgia" also make good additions to this album. I recommend this album for the most part. Just skip 4 and 5.
Written by Alex Popp for the Animation Empire blog.
Monday, October 03, 2011
By Alex Popp
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